Monthly Archives: April 2018

Basic Tips for Studio Photography

In a lot of respects, studio photography is exactly the opposite of outdoor photography. The surroundings and the environment is exactly the reason why the two kinds of photography differ from each other. With outdoor photography, the person becomes the sole object of focus with everything around them becoming some sort of props that support the photo session. Studio photography, on the other hand, presents challenges for the photographer as there is only so much they can do to make the person work as an object with limited to no other options to add to the scene in the process. Lighting becomes another quirk to deal with. A photographer needs to come up with their own way to create light source as opposed to what a photographer in outdoor scenes can, which is simply to modify the light from the sun. So, if you are thriving to become a studio photographer with an outstanding portfolio, there are things to work on.

Work with the limited space you are given. A studio is space-challenged; you can only move forward and back to your model—there is no left or right. The model is not too free to move either. So, instead of taking steps to the left, you would be better off asking your model to turn around for a different shot. When directing a model, give clear direction. Do not ask the model to turn left or right because that would lead to a debate whether you mean the model’s or your right or left. Rather, use “clockwise” or “counterclockwise” as the two terms apply in the same way to you and your model. But this only works if you mean for the model to turn around; what about when you mean for the model to move slightly to the left or right? There is no easy way to do this but to keep in mind what you mean: yours or the model’s right or left.

Studio photography also calls for the right height and angle. Your height as a photographer for situs alternatif sbobet will play into the way the photo is shot. But that is not the only factor: Consider the length between you and the model and the model’s height. As a rule of thumb, a perfect studio photograph should always be shot at eye level—of the model. This means that you will have to compensate for the shortcomings on your part. If you are too short to reach the model’s eye level, use a step or a stool. Conversely, if you are too tall, you may want to get on your knees or bend a little.

Little Tricks You Can Try to Get the Best Portraits

When shooting a portrait photo, you will be faced with several challenges that you need to overcome to be able to get a perfect result. There is the matter of shutter speed, which becomes something sensitive especially when you are holding the camera by hand unaided. To eliminate risks of camera shake, you need to settle with a shutter speed that is not higher than the lens’ focal length. A good rule of thumb for this subject would be to stay away from a shutter speed that is lower than 1/60 if you are using a 50mm lens. Of course this is just an example.

And let’s not forget about the matter of determining the proper ISO and aperture for the portraits. Try going for f/5.6 if you are not trying to get it with the slimmest depth of field and you will be shooting something longer than 85mm. You can also make use of strobe lighting for commercial portraits like in Nontonfilm88 website. You can use the fill to its full speed range (ISO). Keep in mind to set the ISO as low as possible in order that the resulting photo appears to be of great quality and has its noise reduced.

You can try to create a lighting setup for a portrait that is of full length. Get large light modifiers or choose softboxes. For lighting coverage that is even and good, set them back from a subject. You can opt for a softbox of 4 x 6 dimension meant for even distribution in the front coupled with another light source coming from behind the subject to better define edges as well as to give the photo some highlights too. You can make use of umbrellas as well. Choose one that has silver linings as it may reflect light that is more contrasting as opposed to a white one. White umbrellas, however, is enough but in order to get more contrast, you should move it a little further away from the subject.

Practice and Communication: Two Important Things to Give Your Clients the Best Results

Practice makes perfect and this also applies to portrait photography. In fact, you should never stop practicing even after you think you have mastered all the bases. It is an ongoing lesson that perhaps takes forever to perfect as there will always be something new to learn about taking the perfect portrait. So, what are the best ways you can take to practice shooting portrait photos? You can use the self-timer mode your camera comes with and act as your own model. You can experiment more freely this way and you will most definitely find out a thing or two about the best way to determine a pose.

Set a light stand on a spot, lock in focus on the camera manually toward the light stand. Hit the self-timer and head to the light stand. Set the stand aside and test some poses. Test some shots first. Once you finally get the kind of shot that matches your heart’s desire, you can take shots using the focus your camera is set on. You can also use infrared remote or a cable long enough to connect you with the camera to take shots. It is more convenient this way and there will be more chances for you to take multiple shots before going back to the camera to check on the results. Using a mannequin is also a great idea.

As a photographer, you will be dealing with clients of different taste in fashion. So, it will be a big problem when your client shows up with a getup that conflicts with what you have as the background and the client refuses to change. You need to follow through by changing the background to accommodate this. It is therefore advised that you communicate with your clients properly and thoroughly so as to avoid any kind of miscommunication and inconvenience once the session takes place.

Simple Family Photography Tips

If you ever get a job of getting photographs of a family, you are required to learn some things that may definitely help you get the best results. You need to be able to keep an open mind to prevent yourself from running out of ideas and find out how to make everything look natural. You can start with shooting the whole family members at first. Not only will this be a great ice breaker, this will help you to get a better view for the compositions of the next shoots. You can then try several different variations: Dad with the kids, mom with the kids, just the kids, all the boys, all the girls, or mom and dad.

Make use of everyone on the set, especially when you are photographing kids. Ask the parents to stand next to you to get their attention and focus. Conversely, you can ask the kids to make funny faces at their parents to elicit natural expression on the parents’ part. But it is also important that you give the kids some break they need. You can still do your job of photographing them while they’re taking a break, too.

Get all the family members involved in some kind of game. This will do two tricks. First, it helps imbuing the session with fun. Second, the activity will become a goldmine of expressions for you to capture with your camera. On your part, you need to act as a journalist. Tell all the family of members not to pay attention to your presence around them. This way, you can record everything as they naturally enfolds. Lastly, educate your clients that meltdowns are natural. Photo sessions could be too strenuous for the little ones and this is okay. Tell the parents that it is okay for the little ones to have a meltdown and you can capture these moments later on.

Techniques You Should Master to Take the Best Photos

Everyone wants to take great photos but not many know how to do it all correctly. Without proper knowledge about taking photos with a camera, there is no way you would be able to satisfy both yourself and the model. Let’s start with lighting. If the photo session takes place indoor, try to rely as much a possible on natural light. Arrange a spot near a large window and have your model facing the light to prevent shadow being cast on their face.

Switch indoor lights off as well. It is a common fact that midday sun is an enemy of a perfect shot. Your model will squint and there will be shadows etched deeply into their eyes as well as the lower part of their face. A cloudy day or some time before sunset is perfect. If you have to do it during the midday, make sure that the session takes place under a shade. In the event that you are unable to find a shaded location, you can use a light diffuser to reduce the harshness of the overabundance of light. Choose oval diffusers as they are portable and easy to set up. Attach the diffuser to a light stand if there is no one around to hold it up for you. Alternatively, people on can also use a white sheet or a diaphanous material in place of the regular diffuser.

Do not go for wide-angle lenses. Wide-angle lenses are potential in making your model look overweight, especially when they are around the frame’s edges. Avoid lenses that are wider than 50mm. Wide-angle lenses, however, help when you are shooting a couple of meters back as they reduce distortion and there will be more surrounding elements included.
Get a reflector if you wish to reduce the intensity of shadows on the model’s face. You can use aluminum foil or a whiteboard if you do not have the time to get one. A telephoto lens will come in handy to create a sharp photo with depth. The depth is created by the lens as it blurs the background while helping the foreground (i.e. the model) pop out. This is a great way to imbue some characters into the image but perhaps is not advised if the surroundings are to be included as part of the shot. Lastly, avoid flash at all cost if you have to use it, bounce it off the focus or get an off-camera one.